{"id":45121,"date":"2020-03-03T16:03:44","date_gmt":"2020-03-03T21:03:44","guid":{"rendered":"https:\/\/emu.edu\/now\/news\/?p=45121"},"modified":"2020-03-13T14:04:25","modified_gmt":"2020-03-13T18:04:25","slug":"march-piano-madness-comes-to-emu","status":"publish","type":"post","link":"https:\/\/emu.edu\/now\/news\/2020\/march-piano-madness-comes-to-emu\/","title":{"rendered":"&#8216;March Piano Madness&#8217; comes to EMU"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Effective immediately, EMU has cancelled all public events through April 3 in response to concerns about COVID-19. This event may be rescheduled. <\/strong><\/p>\n\n\n\n<p><em>For more information about EMU\u2019s COVID-19 action plan, visit <a href=\"http:\/\/emu.edu\/coronavirus\">emu.edu\/coronavirus<\/a>.<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator\" \/>\n\n\n\n<p>In March, EMU hosts two concerts in the Music Faculty Artist Series \u2014 each a rare opportunity.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">March 14, 7 p.m., with Jonathan Keener &#8217;07&nbsp; <\/h3>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/emu.edu\/now\/news\/wp-content\/uploads\/sites\/43\/2020\/03\/JonathanKeener-e1583269262186-768x1024.jpg\" alt=\"\" class=\"wp-image-45138\" width=\"336\" height=\"448\" srcset=\"https:\/\/emu.edu\/now\/news\/wp-content\/uploads\/sites\/43\/2020\/03\/JonathanKeener-e1583269262186-768x1024.jpg 768w, https:\/\/emu.edu\/now\/news\/wp-content\/uploads\/sites\/43\/2020\/03\/JonathanKeener-e1583269262186-225x300.jpg 225w\" sizes=\"auto, (max-width: 336px) 100vw, 336px\" \/><\/figure><\/div>\n\n\n\n<p>In Martin Chapel, <strong>Jonathan Keener \u201907 <\/strong>will perform three of Ludwig van Beethoven\u2019s most celebrated pieces in honor of the 250th anniversary of the composer\u2019s birth. The program includes Piano Sonata No. 8 in C minor, Op. 13 (Path\u00e9tique), Piano Sonata No. 14 in C\u266f&nbsp;minor, Op.27 (Moonlight), and Piano Sonata No. 21&nbsp;in&nbsp;C major, Op. 53 (Waldstein).<\/p>\n\n\n\n<p>Professor <strong>David Berry<\/strong>, music department chair, noted an all-Beethoven recital is \u201ca special feat.\u201d<\/p>\n\n\n\n<p>\u201cWe are excited to have an excellent music alumnus like Jonathan return home to EMU and give his gifts back to our students and community,\u201d said Berry. \u201cThis is a special opportunity to hear these three sonatas all in one evening, as each sonata is a world unto itself and no two are alike.\u201d<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">March 21, 7 p.m. with David Berry and fellow faculty<\/h3>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/emu.edu\/now\/news\/wp-content\/uploads\/sites\/43\/2018\/03\/20180129-David-Berry-Piano-Recital-013-1000px.jpg\" alt=\"\" class=\"wp-image-37313\" width=\"348\" height=\"231\" srcset=\"https:\/\/emu.edu\/now\/news\/wp-content\/uploads\/sites\/43\/2018\/03\/20180129-David-Berry-Piano-Recital-013-1000px.jpg 1000w, https:\/\/emu.edu\/now\/news\/wp-content\/uploads\/sites\/43\/2018\/03\/20180129-David-Berry-Piano-Recital-013-1000px-300x200.jpg 300w, https:\/\/emu.edu\/now\/news\/wp-content\/uploads\/sites\/43\/2018\/03\/20180129-David-Berry-Piano-Recital-013-1000px-768x512.jpg 768w\" sizes=\"auto, (max-width: 348px) 100vw, 348px\" \/><\/figure><\/div>\n\n\n\n<p>Berry performs in Martin Chapel with EMU faculty members <strong>Jacob Roege<\/strong> and <strong>Steffany Shock<\/strong>, violin; and <strong>Patrick Bellah<\/strong>, cello. Violist <strong>Kathleen Overfield-Zook<\/strong>, from James Madison University, will also join this event, which is sponsored by Vacanti Violins.<\/p>\n\n\n\n<p><strong>\u201c<\/strong>This recital will feature two of the most beloved\nchamber music masterworks of the Romantic era by Dvo\u0159\u00e1k and Brahms. In addition to\nbeing two of the most passionate, beautiful and exciting works in the chamber\nmusic genre, both piano quartets are significantly influenced by the folk music\nthat the composers heard around them at the time, Slavonic folk dances and\ngypsy music,\u201d Berry said.<\/p>\n\n\n\n<p>He will also present an original solo arrangement inspired by\nboth composers and their love of folk music, with some special stylistic twists\nof his own. <\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>More on Jonathan Keener and his concert program<\/strong><\/h3>\n\n\n\n<p>Keener, a Lancaster County native, currently serves internationally in East Asia with his wife, Claire, and their three children. He leads the piano department of the YaGe Community Arts Center. &nbsp;Keener earned his DMA at James Madison University, where he has been an adjunct professor. He also taught at Indiana Wesleyan University, Ivy Tech Community College, teaching assistant at the Brevard Music Center, and an administrator of the Christian Performing Artists\u2019 Fellowship, which sponsors the MasterWorks Festival. Keener was the winner of the VMTA Concerto Competition, MTNA Solo Piano Competition for Virginia, EMU and JMU concerto competitions, and twice finalist of the BMC Piano Competition.<\/p>\n\n\n\n<p>Of his upcoming concert at EMU, Keener writes:<\/p>\n\n\n\n<p><em>I started learning piano from my mother at the age of 8, and after a couple years of pushing through the early years of the Suzuki method with minimal interest in my part, I started really enjoying playing the piano when I got to the level of Clementi Sonatinas, but I\u2019ll never forget, at about age 11, when my cousin gave me a recording of three Beethoven Sonatas: the \u201cPathetique\u201d, \u201cMoonlight\u201d and \u201cWaldstein\u201d piano sonatas. I never in my wildest dreams imagined that piano music could sound like this. <\/em><\/p>\n\n\n\n<p><em>The fire and drive of the first movement of Pathetique and final movement of Moonlight, the dreaminess of the first movement of the Moonlight, the harmonic inventiveness of the opening movement of Waldstein, and the spiritually deep finale of the Waldstein, all aroused emotions in me I couldn\u2019t even put into words. I distinctly my mother telling me to \u201cturn it down\u201d (how often does that happen for classical music?!) <\/em><\/p>\n\n\n\n<p><em>These pieces turned me on to classical music, a love that has followed me to this day. For this reason, I have a very special relationship with these three pieces. Though I have performed all of them separately&nbsp;at various times, it\u2019s always been a dream of mine to perform them together. Since this year is the 250th anniversary of Beethoven\u2019s birth, it seemed a good opportunity to share these three lovely pieces with you all. <\/em><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>More on David Berry and fellow faculty artists<\/strong><\/h3>\n\n\n\n<p>Berry will perform<strong> <\/strong>Piano Quartet No.&nbsp;2&nbsp;in E flat major, (Op. 87) by Antonin Dvo\u0159\u00e1k (1841-1904), Piano Quartet&nbsp;No. 1 in&nbsp;G minor,&nbsp;Op.&nbsp;25 by Johannes Brahms (1833-1897), and his own &#8220;Ode to Dvo\u0159\u00e1k and Brahms.&#8221;<\/p>\n\n\n\n<p><strong>David Berry<\/strong>&nbsp;is an active classical pianist whose performances have been featured in venues such as The Kimmel Center, Carnegie Hall, Merkin Hall, as well as live broadcasts of&nbsp;WQXR&nbsp;(New York City). As a performer of new music, he has worked with or premiered works by a number of noted composers, including Adolphus Hailstork, James Lee&nbsp;III, Jeffery Scott (Imani Winds) and grammy-award winning composer Jennifer Higdon. He was a featured soloist in the Juilliard School\u2019s Focus Festival,&nbsp;<em>All About Elliott<\/em>, celebrating the 100th birthday of Elliott Carter, and also featured in piano series\u2019 hosted by author David Dubal at the Kosciusko Foundation and the Cervantes Institute. He was the Grand Prize Winner of the Bradshaw and Buono International Piano Competition, as well as a prizewinner in the Thousand Islands International Piano Competition.<\/p>\n\n\n\n<p>An avid chamber musician, David has collaborated with members of many of the nation\u2019s leading orchestras, including the New Jersey, Houston, St. Louis, Dallas, and Seattle symphonies. He has toured and regularly concertized as a resident member of the Jacksonville, Florida-based Ritz Chamber Players, The Harlem Chamber Players, and the innovative chamber music theater group, the Core Ensemble. In addition to his accomplishments as a classical musician, David is an avid improviser of jazz, gospel, and popular contemporary piano styles, and also enjoys composing his own concert arrangements of hymns. David received his Bachelor of Music with High Distinction from the Eastman School of Music, and Masters and Doctor of Musical Arts degrees in piano performance from the Juilliard School. <\/p>\n\n\n\n<p><strong>Jacob Roege<\/strong> has built a versatile career as a performer, teacher, and administrator in the arts. He has worked in a wide variety of genres from Baroque and Classical to contemporary video game music, as well as musicals, opera, and rock shows. He has performed with the Roanoke, Lansing, Jackson, Fairfax, and UNISA Orchestras, and currently serves as Associate Concertmaster of the Waynesboro Symphony.&nbsp; As a violinist with the Triforce Quartet, he has performed internationally to sold out crowds and recorded three albums, as well as a collaboration with Japanese composer, Saori Kobayashi. Jake teaches violin at James Madison University as well as Eastern Mennonite University. He was honored to join the Shenandoah Valley Bach Festival in 2018, continuing this year as Principal Second Violin.<\/p>\n\n\n\n<p>He received a B.M. in Music Industry at James Madison University and an M.M. in Violin Performance at Michigan State University. He has worked with violinists Elisabeth Adkins and Ilya Kaler, as well as the Cypress and Shanghai String Quartets. <\/p>\n\n\n\n<p>Violinist&nbsp;<strong>Steffany Shock<\/strong>&nbsp;began her musical studies as a child in Toledo, Ohio, where she studied with Eugene Goldberg, who was a student of Maurice Warner.&nbsp;As an orchestra musician, she has performed extensively with groups in Northwest Ohio, Pennsylvania, and Virginia.&nbsp; She currently works as a freelance violinist in the Washington D.C. area and performs regularly with the American Festival Pops Orchestra and the Washington Concert Opera.&nbsp;Steffany holds a Doctorate of Musical Arts from James Madison University, where she was the teaching assistant for Wanchi Huang, a Masters of Musical Arts from Pennsylvania State University, and a Bachelor of Music from Bowling Green State University.&nbsp;<\/p>\n\n\n\n<p><strong>Kathleen Overfield-Zook<\/strong>, originally from Essex,\nVermont, began playing viola at the age of 9. She holds both a Bachelor and\nMaster of Music degree in Viola Performance from the University of Michigan,\nAnn Arbor. While living in Michigan Kathleen performed with many of Michgan\u2019s\nregional orchestras, including positions the Greater Lansing, Midland, Jackson\nand Dearborn Symphonies. She spent several summers at the Meadowmount School of\nMusic, working with such great chamber musicians and pedagogues as David\nSalness and Charles Avsharian. She has played principal viola at the National\nOrchestral Institute in College Park, Maryland and traveled to Graz, Austria as\npart of the AIMS Festival Orchestra. After moving back to the east coast,\nKathleen has led an active freelance career, holding positions with Allentown\nand Vermont Symphonies as well as performing regularly with the New Jersey\nSymphony orchestra under the baton of Neeme Jarvi. Now living in Virginia, she\ncan be seen playing with Richmond and Roanoke Symphonies as well as continuing\nher tenure as Assistant Principal viola in the Harrisburg (PA) Symphony\nOrchestra.<\/p>\n\n\n\n<p>Kathleen\nserved on faculty at the Westminster Conservatory of Music in Princeton, NJ for\nseveral years before joining the faculty of James Madison University in the\nfall of 2010.<\/p>\n\n\n\n<p>Praised by legendary Polish cellist Kazimierz Michalik for his \u201cmusical honesty,\u201d<strong> Patrick Bellah<\/strong> has made it a priority in performance to connect with his audiences in a memorable fashion. He is a native of Fort Smith, Arkansas, and a graduate of the Bass School of Music at Oklahoma City University, and of the University of Arkansas. He has performed nationally as a chamber musician, orchestral cellist, and internationally as a soloist at the Ko\u0142obrzeg International Music Festival in Ko\u0142obrzeg, Poland. As a chamber musician, Patrick has performed with a wide variety of ensembles, most notably with the Northwest Arkansas String Quartet, which was featured on Public Radio International\u2019s <em>Performance Today<\/em> during his tenure as cellist with the group. He is currently the cellist of the Shepherd Quartet, which was named as a preferred performing artist at the historic estate of Thomas Jefferson\u2019s Monticello.<\/p>\n\n\n\n<p>Patrick also enjoys a busy life as an orchestral cellist, having performed with numerous ensembles throughout the states of Arkansas, Oklahoma, Louisiana, Texas, and Virginia, and even briefly serving as acting Principal Cellist of the Arkansas Philharmonic Orchestra. During his time with these orchestras, he has shared the stage with soloists such as Alexander Markov, Vadim Gluzman, Cicely Parnas, Zuil Bailey, and many others. Recently, he collaborated with the critically-acclaimed Harlem Quartet in their music outreach program in the Shenandoah Valley region of Virginia. He is currently the adjunct instructor of cello at Eastern Mennonite University and the Suzuki cello instructor at EMU\u2019s preparatory music academy. He is in the final stages of finishing his doctoral dissertation at James Madison University, where he is pursuing a doctorate in cello performance under the tutelage of Dr. Carl Donakowski.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Effective immediately, EMU has cancelled all public events through April 3 in response to concerns about COVID-19. This event may be rescheduled. For more information about EMU\u2019s COVID-19 action plan, <a href=\"https:\/\/emu.edu\/now\/news\/2020\/march-piano-madness-comes-to-emu\/\" target=\"_self\" class=\"more-link\">... read more <span class=\"screen-reader-text\">about &#8216;March Piano Madness&#8217; comes to EMU<\/span><\/a><\/p>","protected":false},"author":1,"featured_media":45153,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[266,7931,14184,5861,17562,17564,5642,5183],"tags":[17633,11321,17764,17763],"feature":[],"class_list":["post-45121","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-alumni","category-arts","category-campus-guests","category-conferences-and-events","category-digest","category-events","category-faculty-and-staff","category-music","tag-david-berry","tag-events","tag-patrick-bellah","tag-steffany-shock"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>&#039;March Piano Madness&#039; comes to EMU - EMU News<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/emu.edu\/now\/news\/2020\/march-piano-madness-comes-to-emu\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"&#039;March Piano Madness&#039; comes to EMU - EMU News\" \/>\n<meta property=\"og:description\" content=\"Effective immediately, EMU has cancelled all public events through April 3 in response to concerns about COVID-19. 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