{"id":27034,"date":"2016-02-19T09:42:08","date_gmt":"2016-02-19T14:42:08","guid":{"rendered":"http:\/\/emu.edu\/now\/news\/?p=27034"},"modified":"2025-10-15T11:39:45","modified_gmt":"2025-10-15T15:39:45","slug":"with-7x7-laments-artist-explores-revelations-of-sexual-abuse-within-the-church-evokes-discord-with-rays-of-hope","status":"publish","type":"post","link":"https:\/\/emu.edu\/now\/news\/2016\/with-7x7-laments-artist-explores-revelations-of-sexual-abuse-within-the-church-evokes-discord-with-rays-of-hope\/","title":{"rendered":"With ‘7×7 Laments,’ artist explores revelations of sexual abuse within the church, evokes discord with ‘rays of hope’"},"content":{"rendered":"

When Jerry Holsopple<\/a> entered his sabbatical at Wesley Theological Seminary\u2019s Luce Center for Art and Religion<\/a> last year, he wasn\u2019t sure where it would take him. It ended up being a journey through new ground and some rather dark valleys.<\/p>\n

Holsopple, professor of visual and communication arts<\/a> at Eastern Mennonite University, heard about the Luce Center\u2019s Artist-in-Residence Program from a friend. It fit what Holsopple was looking for: a place where he could just focus on art, away from research and syllabi. The program provided a small stipend and an apartment on campus near a large and quiet studio space.<\/p>\n

\"jerry<\/a>
Jerry Holsopple speaks during an opening reception of his exhibit at the Margaret Martin Gehman Art Gallery at Eastern Mennonite University. (Photo by Joaquin Sosa)<\/figcaption><\/figure>\n

\u201cWhy don\u2019t you apply?\u201d his friend asked. And so he did.<\/p>\n

Best known as a videographer and photographer, Holsopple instead spent his fall semester sabbatical in Washington D.C. engaging in a newer pursuit: painting. He says he \u201ctook the risk to learn how to paint\u201d during his last sabbatical<\/a>, a 2009-2010 Fulbright trip to Lithuania.<\/p>\n

On that sabbatical, he learned the art of creating or \u201cwriting\u201d icons in the Orthodox tradition. This time, he explored some darker places: stories of sexual abuse and the culpability of the church in some of those stories, particularly the revelations of sexual abuse by Mennonite theologian and church leader John Howard Yoder.<\/p>\n

Holsopple explored this topic through a process of photo transfer. He began with thick, broad splashes of paint on each panel, then transferred inks from his photographs onto the paint. Using pallet knives, sandpaper and other tools, he added different textures to each piece, revealing or hiding various parts to create the desired effects.<\/p>\n

\u201cI began to think about how paint might change things,\u201d Holsopple says. \u201cWith the influences of color and texture, it can be very abstract.\u201d The very act of ripping and tearing into the paint with the sandpaper and knives was a metaphor in itself, he says, noting that it can be painful to get underneath the stories and reveal truth.<\/p>\n

The subjects of the photos in about 75 percent of the panels are students or staff members from Wesley Theological Seminary<\/a>, who interacted with Holsopple during his work.<\/p>\n

\"jerry<\/a>
‘Revealed Truth I’<\/figcaption><\/figure>\n

\u201cThey said, \u2018I\u2019d be happy to be part of this project,\u2019 \u201d Holsopple says. \u201cThat\u2019s remarkable considering the project is not a real happy topic.\u201d<\/p>\n

The various stages and layers of the paintings could take up to two days to dry, so Holsopple would have as many as 15 panels in process at any given time. In all, he created nearly 60 panels, most of which are part of an exhibit at EMU that debuted Feb. 12 in the Margaret Martin Gehman Art Gallery<\/a>. Titled \u201c7 x 7 Laments: For An Age of Sexualized Power,\u201d the exhibit drew a large crowd to the opening.<\/p>\n

Holsopple says in the 52-page artist\u2019s statement that the title is a deliberate reference to the \u201cclassical biblical text about forgiveness (70 times seven),\u201d but with a \u201ctwist of numbers \u2026 to suggest that I and the church need to enter the depths of lament before forgiveness is even broached.\u201d<\/p>\n

\u201cI started the first panel or two more timidly, then wondered what might happen, so I tried different things,\u201d Holsopple says. \u201cI wanted to create discord and chaos\u2014the emotional space this is in\u2014a dark and painful place, but maybe with some rays of hope coming through. I hope it changes what people experience.\u201d<\/p>\n

He says the act of painting itself was a way for him to deal with the difficult emotions brought up by the topic. He left some panels with no images, only the abstract swaths of paint, to describe his own journey through the process. The centerpiece of the show, he says, is \u201cShattered Trinity,\u201d which features three women and considers the ways that sexual abuse breaks trust and destroys safe spaces.<\/p>\n

\u201cIt\u2019s part of my lifelong commitment to truth-telling as an artist, a commitment to relationships and people,\u201d Holsopple says. \u201cI\u2019m not good at doing art that\u2019s just beautiful. It\u2019s mostly dark.\u201d<\/p>\n

In turn, he hopes that others will begin thinking and talking about these topics in meaningful ways. And he hopes his art students might gain some lessons not easily grasped from textbooks.<\/p>\n

\u201cWhen my students walk in there, I hope they\u2019re challenged\u2014aesthetically, and in what they do and how they create art,\u201d Holsopple says. \u201cI want them to realize that experimenting and taking risks is part of what it means to be an artist.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

When Jerry Holsopple entered his sabbatical at Wesley Theological Seminary\u2019s Luce Center for Art and Religion last year, he wasn\u2019t sure where it would take him. It ended up being ... read more about With ‘7×7 Laments,’ artist explores revelations of sexual abuse within the church, evokes discord with ‘rays of hope’<\/span><\/a><\/p>","protected":false},"author":1,"featured_media":27048,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[266,7931,5861,12507],"tags":[6795,6012,13839],"feature":[],"class_list":["post-27034","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-alumni","category-arts","category-conferences-and-events","category-vaca","tag-diversity","tag-jerry-holsopple","tag-margaret-martin-gehman-art-gallery"],"yoast_head":"\nWith '7x7 Laments,' artist explores revelations of sexual abuse within the church, evokes discord with 'rays of hope' - EMU News<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/emu.edu\/now\/news\/2016\/with-7x7-laments-artist-explores-revelations-of-sexual-abuse-within-the-church-evokes-discord-with-rays-of-hope\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"With '7x7 Laments,' artist explores revelations of sexual abuse within the church, evokes discord with 'rays of hope' - EMU News\" \/>\n<meta property=\"og:description\" content=\"When Jerry Holsopple entered his sabbatical at Wesley Theological Seminary\u2019s Luce Center for Art and Religion last year, he wasn\u2019t sure where it would take him. 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