{"id":14639,"date":"2012-10-30T14:34:41","date_gmt":"2012-10-30T18:34:41","guid":{"rendered":"http:\/\/emu.edu\/now\/news\/?p=14639"},"modified":"2012-11-30T15:57:01","modified_gmt":"2012-11-30T20:57:01","slug":"art-imitates-life-for-emu-student","status":"publish","type":"post","link":"https:\/\/emu.edu\/now\/news\/2012\/art-imitates-life-for-emu-student\/","title":{"rendered":"Plight of Undocumented Immigrants, in Actuality and in Drama"},"content":{"rendered":"<p>&#8220;We put one foot in front of the other and asked God for help with the next,&#8221; writes Kara Hartzler, in the voice of Marcela.<\/p>\n<p>A Guadalajaran woman crossing the border from Mexico into Arizona, Marcela is one of four immigrant characters Hartzler created using a combination of her training as both a playwright and immigration lawyer, in &#8220;No Rooster in the Desert.&#8221;<\/p>\n<p>The play is fictional &#8211; based on fieldwork and research into real events &#8211; but tells a story familiar to thousands of immigrants crossing into the United States each year.<\/p>\n<p>Last year, the Department of Homeland Security apprehended more than 640,000 foreign nationals; 76 percent native to Mexico, according to a 2011 enforcement actions report.<\/p>\n<p>&#8220;One of the things I set out to do was not write a depressing immigration play,&#8221; said Hartzler, an EMU `94 graduate, from her Arizona home. &#8220;To make the characters real and accessible &#8230; [some people] view immigrants as either stately victims or law-breaking thieves. I wanted to present them not as &#8230; extreme but really human people.&#8221;<\/p>\n<p>From stacks of immigrant interviews and her years working in Arizona with detainees, Hartzler premiered, &#8220;No Roosters in the Desert,&#8221; in Mexico City in 2010.<\/p>\n<h3>A Real Story<\/h3>\n<p>By then, Catalina Castro and her children were already long gone.<\/p>\n<p>Jossimar Diaz-Castro arrived at the cafe, kissed his mother on the cheek and slid into the booth beside her. She poured a cup of tea for him, and they started to remember.<\/p>\n<p>Catalina was a single mother in Mexico City, separated from her children&#8217;s father and working at all-night diners to make ends meet.<\/p>\n<p>&#8220;I was working so hard in my country &#8230; but it&#8217;s very difficult for girls,&#8221; she recalled. Slowly, she was saving money to build a safe home for her growing family. The father of her children had bribed the authorities to evade paying child support, and the married women in her community looked on Catalina&#8217;s life with paranoia and suspicion.<\/p>\n<p>They held hope for a stable home, but Catalina was tired.<\/p>\n<p>&#8220;Frustrated?&#8221; Jossimar said.<\/p>\n<p>&#8220;And just tired, too,&#8221; she continued. The memory etched her face. &#8220;My kids cried for me, and I was at the restaurant working all night &#8230; &#8221;<\/p>\n<p>Eight-year-old Jossimar and his baby sister spent many Mexico City nights alone. &#8220;It was a traumatic experience for me,&#8221; he said. &#8220;I don&#8217;t think about it, to tell you the truth, but it did instill in me an instinct of fear: Fearful of darkness, of ghostly potential creatures &#8230; which developed into something more broad, a fear of the world.&#8221;<\/p>\n<p>One wouldn&#8217;t guess the now high-achieving senior, an honors student in theology and philosophy at EMU, carries a childhood that narrowly missed his mother&#8217;s violent stalkers, his father&#8217;s substance abuse and eventually led him to the floor of a packed van.<\/p>\n<h3>Crossing Over<\/h3>\n<p>Catalina had lost everything in fleeing from an abusive relationship, but her brother in Atlanta, Ga., seemed to have the solution.<\/p>\n<p>She sold everything and borrowed money for the trip. &#8220;And we started to travel.&#8221;<\/p>\n<p>Holding her children tightly to her chest for one night in a van, then walking in the desert for two days, Catalina finally crossed into the United States.<\/p>\n<p>Along with a crowd of immigrants, mostly men, they jumped into a van to make the last leg of the journey into Houston.<\/p>\n<p>Jossimar hid on the floor. Her daughter was given sedatives to stay quiet for the 12-hour ride. &#8220;At that point, I said, I want to come back &#8230; I felt so, so bad,&#8221; Catalina said.<\/p>\n<p>The American dream became a nightmare. &#8220;You think once you&#8217;re in the U.S., it&#8217;s all good,&#8221; she said. &#8220;But you don&#8217;t speak the language, know nothing, can&#8217;t drive &#8230; &#8221;<\/p>\n<p>Jossimar cried to return to his homeland. The boy fell into a depression. &#8220;I said, `I love you but now I can&#8217;t give you anything,&#8217; &#8221; she remembers. &#8220;I want to have you with me, but in this situation there&#8217;s no saving you, there&#8217;s no life here.&#8221;<\/p>\n<h3>Nightmare Becomes Dream<\/h3>\n<p>The young mother made the choice to send Jossimar back to live with his father. She called the man; here, her heart breaks again. &#8220;I love my son but in this situation &#8211; this really hard situation &#8211; he needs you,&#8221; she told him over the phone.<\/p>\n<p>Soon after, her daughter fell ill. Doctors told her that, without proper health care she could die. Catalina made another phone call, to her mother.<\/p>\n<p>&#8220;Life is more difficult here,&#8221; she remembers crying. Her mother had a coldly realistic reply: If you don&#8217;t come with money, don&#8217;t come back.<\/p>\n<p>Sending her daughter back to Mexico was the final thread snapping; she&#8217;d lost everything in an attempt to gain a better life. &#8220;I felt like a bad mom, so I never stopped working,&#8221; she said. Money earned from her three jobs was sent to Mexico, and to pay back debt to her brother.<\/p>\n<p>After a long pursuit by a seemingly respectable Puerto Rican man, Catalina married. He then turned ugly.<\/p>\n<p>&#8220;The big reason my mom endured being with this man, despite the deep abuse he was inflicting upon her, was that there was a legal process of documentation in the works,&#8221; Jossimar explained, his arm around her shoulder.<\/p>\n<p>When the abuse became too much, Catalina ran. It was only a matter of time before he found her; at the point of a gun, he heaped on more unspeakable abuse, until the police saved her.<\/p>\n<p>Now, the documentation process took a new direction: a case of domestic violence, not marital union.<\/p>\n<p>Catalina called Jossimar in Mexico with the news: In six months, their four-year nightmare would end, and they&#8217;d be granted documentation.<\/p>\n<h3>Brand New World<\/h3>\n<p>&#8220;This country gave me opportunity,&#8221; Catalina said, the tea now cold and the dessert cake eaten. &#8220;We passed hard times, but I found God here.&#8221; She smiled describing their life now: an honorable husband, a stable job that brought them to Harrisonburg four years ago, two smart, successful children and two more sons.<\/p>\n<p>&#8220;I see my all mother&#8217;s work being fruitful,&#8221; Jossimar said. &#8220;We see life much sweeter, and look forward to better things.&#8221;<\/p>\n<p><em>Courtesy Daily News Record, Oct. 27, 2012<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;We put one foot in front of the other and asked God for help with the next,&#8221; writes Kara Hartzler, in the voice of Marcela. A Guadalajaran woman crossing the <a href=\"https:\/\/emu.edu\/now\/news\/2012\/art-imitates-life-for-emu-student\/\" target=\"_self\" class=\"more-link\">... read more <span class=\"screen-reader-text\">about Plight of Undocumented Immigrants, in Actuality and in Drama<\/span><\/a><\/p>","protected":false},"author":112,"featured_media":14645,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4515,5589,5583,4513,5147],"tags":[13702,5672,14590],"feature":[],"class_list":["post-14639","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-academics","category-bible-and-religion","category-campus-community","category-student-life","category-theater","tag-jossimar-diaz-castro","tag-kara-hartzler","tag-no-roosterse-in-the-desert"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Plight of Undocumented Immigrants, in Actuality and in Drama - EMU News<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/emu.edu\/now\/news\/2012\/art-imitates-life-for-emu-student\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Plight of Undocumented Immigrants, in Actuality and in Drama - EMU News\" \/>\n<meta property=\"og:description\" content=\"&#8220;We put one foot in front of the other and asked God for help with the next,&#8221; writes Kara Hartzler, in the voice of Marcela. 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